六级模拟题

CET-6ModelTestPartIWriting(30minutes)Directions:Forthispart,youareallowed30minutestowriteashortessayentitledOnDrunkenDriving.Youshouldwriteatleast150wordsfollowingtheoutlinegivenbelow:1.近年来，醉酒驾车事故频发。2.分析醉酒驾车事故原因。3.如何防止醉酒驾车。注意：此部分试题请在答题卡1上作答。Part错误!未找到引用源。ReadingComprehension(SkimmingandScanning)(15minutes)Directions:Inthispart,youwillhave15minutestogooverthepassagequicklyandanswerthequestionsonAnswerSheet1.Forquestions1-7,choosethebestanswerfromthefourchoicesmarked[A],[B],[C]and[D].Forquestions8-10,completethesentenceswiththeinformationgiveninthepassage.ViolenceinMediaEntertainmentViolencehasalwaysplayedaroleinentertainment.Butthere'sagrowingconsensusthat,inrecentyears,somethingaboutmediaviolencehaschanged.Foronething,there'smoreofit.LavalUniversityprofessorsGuyPaquetteandJacquesdeGuisestudiedsixmajorCanadiantelevisionnetworksoveraseven-yearperiod,examiningfilms,situationcomedies,dramaticseries,andchildren'sprogramming(thoughnotcartoons).Thestudyfoundthatbetween1993and2001,incidentsofphysicalviolenceincreasedby378percent.TVshowsin2001averaged40actsofviolenceperhour.PaquetteanddeGuisealsoidentifiedadisturbingincreaseinpsychologicalviolence,especiallyinthelasttwoyears.Thestudyfoundthatincidentsofpsychologicalviolenceremainedrelativelystablefrom1993to1999,butincreased325percentfrom1999to2001.Suchincidentsnowoccurmorefrequentlythanphysicalviolenceonbothfrancophone（讲法语的人）andAnglophone(母语是英语者)networks.CanadiansarealsoheavilyinfluencedbyAmericanprogramming.PaquetteanddeGuisefoundthatover80percentoftheTVviolenceairedinCanadaoriginatesintheU.S.Theyspeculatethatfrancophonenetworksandstationsmayhaveahigherincidenceofviolencebecausetheybroadcastmoremovies,andthis,inturnmaybeduetolowerproductionbudgets.Canadian-madeviolenceismostlikelytoappearonprivatenetworks,whichbroadcastthreetimesasmanyviolentactsaspublicnetworksdo.Overall,87.9percentofallviolentactsappearbefore9p.m.,and39percentairbefore8p.m.--atatimewhenchildrenarelikelytobewatching.MoreGraphic(配图画、图表的),MoreSexual,MoreSadistic（性虐待狂的）Otherresearchindicatesthatmediaviolencehasnotjustincreasedinquantity;ithasalsobecomemuchmoregraphic,muchmoresexual,andmuchmoresadistic.Explicitpicturesofslow-motionbulletsexplodingfrompeople'schests,anddeadbodiessurroundedbypoolsofblood,arenowcommonplace.Millionsofviewersworldwide,manyofthemchildren,watchfemaleWorldWrestlingEntertainmentwherewrestlerstrytotearouteachother'shairandripoffeachother'sclothing.Andoneofthetop-sellingvideogamesintheworld,GrandTheftAuto,isprogrammedsoplayerscanbeatprostitutestodeathwithbaseballbatsafterhavingsexwiththem.TheGlobalizationofMediaConcernsaboutmediaviolencehavegrownastelevisionandmovieshaveacquiredaglobalaudience.WhenUNESCOsurveyedchildrenin23countriesaroundtheworldin1998,itdiscoveredthat91percentofchildrenhadatelevisionintheirhome--andnotjustintheU.S.,CanadaandEurope,butalsointheArabstates,LatinAmerica,AsiaandAfrica.Morethanhalf(51percent)ofboyslivinginwarzonesandhigh-crimeareaschoseactionheroesasrolemodels,aheadofanyotherimages;andaremarkable88percentofthechildrensurveyedcouldidentifytheArnoldSchwarzeneggercharacterfromthefilmTerminator.UNESCOreportedthattheTerminatorseemstorepresentthecharacteristicsthatchildrenthinkarenecessarytocopewithdifficultsituations.ViolencewithoutConsequencesorMoralJudgmentThenotionofviolenceasameansofproblemsolvingisreinforcedbyentertainmentinwhichbothvillains（反面人物,反派角色）andheroesresorttoviolenceonacontinualbasis.TheCenterforMediaandPublicAffairs(CMPA),whichhasstudiedviolenceintelevision,moviesandmusicvideosforadecade,reportsthatnearlyhalfofallviolenceiscommittedbythegoodguys.Lessthan10percentoftheTVshows,moviesandmusicvideosthatwereanalyzedcontextualizedtheviolenceorexploreditshumanconsequences.Theviolencewassimplypresentedasjustifiable,naturalandinevitable--themostobviouswaytosolvetheproblem.PG:ParentalGuidance?Busyparentswhowanttoprotecttheirchildrenfrommediaviolencehaveadifficulttaskbeforethem.TheCMPAfoundthatviolenceappearsonallmajortelevisionnetworksandcablestations,makingitimpossibleforchannelsurferstoavoidit.Nightlynewscoveragehasbecomeanotherconcern.InspiteoffallingcrimeratesacrossNorthAmerica,disturbingimagesofviolentcrimecontinuetodominatenewsbroadcasting.Asnewsshowscompetewithothermediaforaudiences,manynewsproducershavecometorelyonthemaxim:Ifitbleeds,itleads.Violenceanddeath,theysay,keeptheviewernumbersup.Goodnewsdoesn't.Inmovietheatres,thereissomecontroloverwhowatcheswhat.Butathome,there'slittletostopchildrenfromwatchingarestrictedmovieononeofthemanyemergingspecialtychannels.Kidsmayalsohaveaccesstoadultvideogamesatthelocalvideostore.InDecember2001,theU.S.FederalTradeCommissionreportedthatretailersallowed78percentofunaccompaniedminors,ages13to16,topurchasevideogamesratedmature.Tomakesupervisionevenmoreproblematic,Americanchildrenoftenhavetheirownentertainmentequipment.AccordingtotheAnnenbergPublicPolicyCenter,57percentofkidsaged8to16haveTVsintheirbedrooms,and39percenthavegamingequipment.AYouthSubcultureofViolenceWhilemanyparentsareconcernedaboutthegraphicvio